In the fall of 1944, the Nazis made a propaganda film in Theresienstadt, a ghetto and concentration camp in the Nazi-occupied region of the former Czechoslovakia.1 The film, a portion of which is featured here, seemed to show Jews happy and thriving in their new "settlements." The camp was described as a "spa town" where elderly Jews could "retire in safety." The carefully crafted image of Theresienstadt became a means to deceive the public about the fate of European Jews. In reality, more than one-half of the 140,000 Jews held there were deported to death camps in the east; another 33,000 died in Theresienstadt.
Pressured by the Danish government, in 1944 the Germans permitted the International Committee of the Red Cross (ICRC) to inspect the camp to verify that Danish Jews there were not being mistreated. The Red Cross visit gave the Germans the opportunity to stage an elaborate performance that seemed to confirm that the Jews were living well at Theresienstadt.
Before the visit, Nazi camp leadership took extensive measures to "beautify" the camp: they deported a large portion of the population to reduce overcrowding, built a swimming pool, planted gardens, constructed parks, renovated the barracks, and planned cultural events. Having deceived the Red Cross,2 Nazi authorities then decided to make a propaganda film on location at Theresienstadt. The film's "cast," musicians, and director, Kurt Gerron,3 were all prisoners of Theresienstadt. The film was made under the close supervision of of the SS. A production company was hired from Prague to produce the film, along with a Czech photographer and cameraman, Ivan Fric. The film was shot between August and September of 1944 but was not completed until early 1945.
As this clip demonstrates, the film created a fantasy world. The scenes portrayed Jewish residents partaking in sporting events, attending musical concerts, working in a factory, relaxing, and enjoying meals together. In an interview, Fric4 called the film "absurd theater." He stated that he would not have believed the scenes in the film if he had not personally shot them. Immediately following the film shoot, deportations to Auschwitz renewed and intensified, and most of the cast were deported shortly thereafter. Gerron was sent to Auschwitz on the last train from Theresienstadt on October 28, 1944, where he was immediately killed. The film was never publicly shown, and today it exists only in fragments.